I don’t really want to see Avatar, and I skipped out on a trip taken by some friends this weekend to see it, owing both to the snowstorm and my Avatar apathy. But I think any science fiction fan is well-equipped enough it’s possible to appreciate Annalee Newitz’s i09 post about the racial subtexts of the movie and its ilk. (Yes, I just sort of have to trust Newitz that she’s describing Avatar correctly. But I do!) Like Dances With Wolves, she argues, Avatar is about giving up whiteness without giving up white privilege. Then she makes this point about District 9 that I really should have made:

Interestingly, Wikus in District 9 learns a very different lesson. He’s becoming alien and he can’t go back. He has no other choice but to live in the slums and eat catfood. And guess what? He really hates it. He helps his alien buddy to escape Earth solely because he’s hoping the guy will come back in a few years with a “cure” for his alienness. When whites fantasize about becoming other races, it’s only fun if they can blithely ignore the fundamental experience of being an oppressed racial group. Which is that you are oppressed, and nobody will let you be a leader of anything.

What’s so great about District 9 is that it’s raw enough to show that Wikus hates being a Prawn long after he becomes one, down to the final scene in which he pines for his human wife. His aide to the Prawns is entirely self-interested and transactional. It’s not just that Wikus misses being human/white. He misses human/white privilege. District 9 isn’t afraid to show something so ugly, nor is it afraid of keeping its character that ignorant.

I’m going to stop now. Kalsoom Lakhani delivered an overwhelming twitterborne burn after I recommended the i09 post and so I’ve lost heart. And in case you were wondering: yes, the dude playing bass for Racetraitor in this video is indeed Pete Wentz of Fall Out Boy.